A Christmas message from Alby
December 16, 2011
The Festive Season is upon us yet again and I would like to take this opportunity to reflect on 2011, which again has been a very full year for both Gloria and me.
The drought breaking rains and subsequent floods that came at the end of 2010 saw rural communities across the electorate of Hume rally together for the recovery effort in early 2011. Sadly heavy rain in November impacted on wheat, canola and cherry production but once again, rural Australians demonstrated their stoic ability to absorb another disappointing hardship created by Mother Nature.
However, like generations past who have endured the hardships and sacrifices of living and working in rural Australia, farmers and rural businesses once again will break away from their daily grind to spend quality time with family and friends.
Christmas is a special time for us to refocus on those things in life that truly matter: enjoying the company of loved ones, sharing stories, having a few laughs and remembering with fondness and affection those who are no longer with us.
On behalf of all Australians, I would also like to send a special Christmas greeting to all those men and women who will not be at home this Christmas because they are serving our great nation in various peacekeeping missions around the world. It is because of their dedicated service to freedom that our country remains a safe place in which to live.
Gloria, our family, my staff and I extend our very best wishes for a happy Christmas and a healthy, safe and uneventful New Year. I look forward to working with all residents within the Hume electorate in 2012.
Comments
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Tuesday, 13 March 2012 12:58 PM
Once upon a time, I turned pages for Jamie when he performed the Kreutzer Sonata at a studio class. This was before I played it myself, so I was unfamiliar with the theme & variations movement. There's one particular variation which is 2 straight pages of 16th notes, and 2 repeats. I made the mistake of glancing away from the page for a second, and discovered to my horror when I looked back that I couldn't remember a) where we were, and b) whether we had done the repeats. I ended up half-standing & hovering for what seemed like an eternity, with Jamie kindly giving me subtle no shakes and finally a clear yes nod.Then there was the time that I turned for a friend playing in a vocal recital @ Scotiafest. He asked me at the last minute as a favour, so I accepted, forgetting that I was battling the remnants of a nasty cough. There's nothing like being on stage and NOT BEING ALLOWED TO COUGH that will make you want to cough up a lung. I managed to get through the entire thing without once coughing during a piece, but then had a friend in the audience comment on the odd expression on my face at various times.
Friday, 23 March 2012 7:53 PM
Hazel thanks for your note. (LOVE The Sartorialist!!). All black is often the default colour because it's the easier to unify (imagine an ensemble full of slightly different shades of red), it's easy on the eyes, and the audience tends to focus more on the music than if the ensemble were wearing different colours. The problem with saying go for it, wear any colour is what one person considers stylish another will consider completely inappropriate. There there's the issue of colour clashing. And in classical music, there are known stereotypes about what kind of dress is associated with certain types of music. Opera performers (and audiences) tend to go all out with style and flamboyance; Baroque performers (and audiences) tend not to consider fashion a big deal and are very low-key with their apparel. Ultimately, no, I don't think ensembles should be able to wear any colour; then it looks like a rehearsal.
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